1e +a 2e +a 3e +a 4e +a (or takaDImi takaDImi takaDImi takaDImi).1 e+a 2 e+a 3 e+a 4 e+a (or taKAdimi taKAdimi taKAdimi taKAdimi).1e+a 2e+a 3e+a 4e+a (or TAkadimi TAkadimi TAkadimi TAkadimi).Now we’re going to add accents to our strums, playing one note of each four louder than the rest. As you slow down past ~60 bpm, this exercise actually becomes more difficult to keep lined up with the click, so experiment until you find something you can mostly keep in time. Cory demonstrates it around 95 bpm, but experiment with going slower. You can think of this as four notes per beat-tap your foot and count “1 ee and uh, 2 ee and uh, 3 ee and uh, 4 ee and uh” over and over with the numbered beat coinciding with your foot tap.Īlternatively, you can use “rhythmic solfege,” verbalizing the subdivisions as takadimi, takadimi, takadimi, takadimi (pronounced “tah kuh dee mee”), with “ta” landing on the beat. Mute the strings with your fretting hand and playing sixteenth notes. In this warmup, you’ll practice accenting muted strums. Go see someone who’s qualified to give medical advice. Keep in mind that I’m not a doctor, I’m just a guy who writes stuff on the internet. She also said that he’s being overly aggressive-you should be more gentle, and hold the stretch for 15 to 20 seconds. Specifically, hyperextending your elbow while doing these stretches is a bad idea-keep a slight bend in the elbow instead. She said that while these were good stretches to do, Cory isn’t doing them properly. Update: Should you be stretching? We ran it past an experienced occupational therapist who specializes in hands. No need to say the name of the approach notes, only the target notes. do Say It As You Play It-say the name of each target note OUT LOUD as you play it.Just like with Warmup #1, this isn’t just a finger warmup-it’s a mental warmup too. He uses two octaves plus an extra root up top as a turnaround point:įor these chromatic approaches, he uses fingers 123 for the first half, then switches to 432 at the halfway point (Gb). Once he’s done the three-octave triad arpeggios in every key, Cory takes another lap around the Circle Of Fifths, playing chromatic approaches. This will really help your fretboard knowledge and teach you what notes go into which chords.Ĭory Wong Warmup #2: Chromatic Approach Arpeggios ![]() do Say It As You Play It-say the name of each note OUT LOUD as you play it.memorize this-get it off the screen and onto the fretboard as soon as you can.It’s also an exercise in fretboard knowledge and music theory. ![]() In other words:īut this isn’t just a finger exercise. (He also says he doesn’t stress out about it being so rigid, so no worries if you want to abandon the script and find your own way to play them.)įrom there, he plays that chord’s relative minor, then moves counterclockwise around the Circle Of Fifths.
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